by Hilary Sloin
When Jenna arrived on the ward, Jared was sitting with three
cops, all of them eating Light & Fit yogurt and hard-boiled eggs.
She breezed in, looking recovered but for the bruise around her
neck and the fact that it was nearly noon and she was still in
pajamas. She pulled the last Styrofoam box of bacon and eggs
from under the hot yellow lights and waved, then sat at the front
of the room as if she knew the way things were done.

“Too bad she’s a fatty,” said one cop, elbowing Jared. Jared’s
unrelenting sadness was tolerated because he was a fireman. He’d
dropped a baby when there wasn’t even a fire; someone had
reported that it never stopped crying and the crew sent him into
the building. Jared rushed the baby out, didn’t see the puddles on
the landing.

On Jenna’s first day Jared noticed she had a cobra tattooed on her
ankle. It was the only thing about her that was explicitly rebellious
and, perhaps for this reason, it managed to crawl inside his
crowded thoughts. She was “on pajamas,” an AWOL and suicide
risk, her naked ankle exposed—cleanly, sweetly shaved—with the
body of the cobra snaking its way up from her socked foot to
somewhere he couldn’t see. Afterward she drank cocoa and he sat
at the opposite end of the couch while they watched Conan. They
didn’t speak. Jared knew that life with Jenna would not provide the
confidence and status men secured from the companionship of a
thin woman, but something about her soothed him. She seemed so
normal and almost giddy though her scar told a different story, one
he could easily understand.

“Dude,” said Christopher, the youngest cop, “that chick is fat.” He
was an ex-marine, married nine years by age thirty, who
volunteered at charities and worked out fourteen times a week but
never missed Sunday mass with his wife and six kids.

Jenna had learned this about him, as well as the fact that he
thought all TV cops except for Sippowitz were “friggin’ Disney
cartoons,” on her third day when she’d made the mistake of sitting
opposite him at lunch in the cafeteria.

“Oh, and he has a pet rat,” she added between sit-ups in the
exercise room. Jared was amazed that she had amassed so much
information in so little time. He had been on the ward for nearly
two months and had learned almost nothing about anyone.

When Jenna told her mother she wanted to marry Jared, her
mother looked up as if God were mediating the conversation. “Now
she abandons her impossible standards,” she said to God, then
turned back to Jenna. “Do you really want to spend your life
explaining that you met your husband at McClean? Or lying about
how you met him?”

Jenna shrugged. “I wouldn’t lie. That’s you—you would lie. Anyhow,
we’re going to have one of those Elvis weddings. Doesn’t that
sound like a blast?”

“Weddings aren’t supposed to be fun, Jenna. Weddings help you
acquire things you need. The way charities hold benefits for
starving children.”

Jenna stared out through the bars on the windows.

“What will you do after you’re married?” asked Jenna’s mother.

“Have a baby?”

“Have a baby. Oh that’s a good idea. Why not? Go for a swim.
Drink a beer. Have a baby.”

“Or not. I’m not dying to have a baby.”

“If you don’t want a baby, Jenna, don’t have a baby. That’s the
first thing I’d suggest.”

Jenna was anticipating seeing Jared in a few minutes at wrap-up
group. She fluffed her hair and pinched her cheeks, which her
grandmother had taught her was more sophisticated than wearing
rouge, and thus would attract a higher-class man. She wished her
mother would leave so she could stop by Jared’s room while her
cheeks were still rosy, before the pallor of gloom settled as it
always did after her mother’s visits.

Jenna moved into Jared’s condo. She decorated it with cheery
pictures, yellow towels, throw rugs and a set of dishes that had
belonged to her grandmother; her mother didn’t like them because
they had pink in the rim, but Jenna loved the color pink, a
distinction she hoped might steer her life in a different direction.
Still, a funnel was gathering force inside her; she worried that
everything good was over. Jared seemed to have disappeared. He
could tell she was unhappy and that she needed something from
him that wasn’t unreasonable, but there she was, reminding him
he’d made a mistake once again, confusing enthusiasm with an
ability to love. He felt stuffed inside a puffy space suit, wearing a
padded helmet that made it nearly impossible to converse with
anyone, even the other firemen.

“Are you taking birth control at least?” Jenna’s mother asked,
pulling her daughter’s hair into an imaginary ponytail, the way she
wished Jenna would wear it.


“It’s my fault. Because I have low self-esteem. The women of my
generation all hate ourselves.”

“Really?” Jenna had never heard this, nor had her mother ever
confessed so readily to weakness.

“I don’t know,” she made a face. “It’s just one of those things
feminists say.”

“But you’re not a feminist.”

“Of course I’m not a feminist.”

* * *

In the middle of her four o’clock Jazzercise workout, the door
opened and in walked Jared and the three cops from McClean.
Jenna tried not to look horrified—caught manifesting her
meaningless existence, wearing a pink leotard and black leggings,
barefoot, sweaty, cleavage having swelled free from her jog bra
during the bouncy workout.

She called him into the kitchen. “Jared, what the hell?”

“Sorry. They came to the station.”

“So you go to a bar. Or you call first.”

He opened the fridge and took out the six-pack of Coors.

“Use coasters,” she said as if she had any authority. She closed
the louvre doors, made herself a strong cup of coffee, and set
about “tidying up,” which always consisted of the same things:
dishes in the dishwasher, chairs tucked into the table, little
unnamed things removed from the floor in lieu of sweeping. She
called it tidying up because the words sounded pleasant, like they
described something normal people did. And as she emptied the
vase of yellow mums she’d bought at the Korean market the week
before—watching the fetid brown water tarnish the porcelain sink,
the slimy rotten leaves clogging up the dish drain—she began to
cry. She looked out the window at the sooty sky and her shoulders
began to shake as a silent sob made its way like an earthquake
through her small body.

Even after she got a job at Dunkin’ Donuts, then the Irish pub on
the Avenue, then Kinko’s, and finally, more tolerably, a vintage
clothing store, Jenna felt depression return like an outgrown friend
she couldn’t get rid of. It began to take up more and more space—
a big jagged-edged hole where something else had once resided.
She awoke each morning around three with a fresh optimism,
unperturbed at the prospect of killing three hours before daylight
softened the black sky. And then, after work, while she sat alone
over more coffee, the dying sky pink or gray, the cityscape cold
and scabrous, she wondered whether it was her fault that each day
disintegrated into something torturous and nearly impossible to

It took her a week after the cops visited to clean the house. She
was no longer much concerned with tidiness, working and trying to
stuff depression back into its box. She collected the empties,
cleaned the IKEA coffee table and tried to uproot the dirty
footprints from the rug using Jared’s old Eureka. Jared stared
through her at the news, watching even while she vacuumed
directly in front of him. In the bathroom she found an empty beer
bottle on the ledge of the shower and imagined hurling it at his
head, breaking the skin, and wondered whether he’d even bleed.
She put the lid down on the toilet seat, sat with her head in her
hands, knowing that Jared would not protect her from becoming
her mother.

“You’ll be better off.” Jenna’s mother lifted her suitcase from where
it lay on the bed.

“How do you know?”

“You always liked your room. And it’s just as you left it.”

Jenna stared through the bedroom window at the racquetball court.
Just the top wall of the court was visible, the lines of yellow paint,
the hard blue ball bouncing, disappearing, hitting a different spot.
When she first moved in, Jared would go there to blow off steam
and she’d keep him company, drinking a beer and sitting on the
bench off to the side. He was athletic and she thought this
predicted a certain strength that he didn’t see in himself. Back
then she was confident that her love could keep him from drifting
away. She remembered her old bedroom in Jamaica Plain: The
yellow chenille bedspread. The white modern dresser. The
birdhouse in the rhododendron bush made by one of her mother’s
boyfriends—Steven or Wayne or Joe—one of the boyfriends with a
beard. She distinguished them that way: beards or no beards, hair
or no hair. Remembered little else.

“Maybe I should stay,” she said.

“Nothing doing. This is the first sane thing you’ve done in two
years,” said her mother.

Jenna heard the heat knocking through the pipes and for a moment
she worried an animal was trapped in there.

“Do you hear that?” she asked.


“There’s a mouse in the wall.”

“Oh, great. Now you’re hearing things.” Her mother took Jenna’s
elbow and rushed her into the living room toward the door. Jenna
heard the animal again and worried it was Jared. What if he was
trying to get to her, only he’d taken the wrong route? What if he
was trying to stop her from leaving?

Jenna’s mother opened the door, colored with thick, pink paint, and
they were out in the cold hallway that always smelled of burnt oil
and oregano. Once out of the apartment, Jenna could no longer
hear the animal. But that didn’t mean it wasn’t in there, in the
walls. If Jared had become an animal and was trapped in the
pipes, it was particularly cruel to leave him in such a state. Jenna
stopped moving so she could listen, squinting her eyes and holding
the banister. Her mother pulled her down the noisy metal stairs,
out onto the street. But even as she climbed into the Buick and
waited for her mother to toss the suitcase into the backseat and
start up the motor, Jenna heard the animal. It was a pathetic little
animal, so lost and cute, and she thought she must be the worst
person in the world to leave it—or him—stuck in a maze of old
metal and steam when he was trying so hard to tell her.

Hilary Sloin is a writer of books, stories, essays and plays. She lives in the
hills of Western Massachusetts with a tiny Jack Russell Terrier named Pluto.
Her first novel, Art on Fire, an apparent biography that was mistakenly
awarded a non-fiction prize, received the American Library Association’s
esteemed Stonewall Book Award as well as many other smaller prizes.
“Tidying Up” is one of 13 stories in a new collection called The Cure for
Unhappiness, which is looking for a publisher. Hilary blogs
Short Story
$25 Prize