2019
POETRY OPEN
Honorable Mention
$25 Award
DYING TOWNS
by Joshua Martin
Think of it as a family: first one son leaves, takes
his losses to Atlanta. Then another and another
until what’s left of the town is a train track reflected
in the empty store fronts like a strand of gray hair kissing
a mirror. Sons gone, daughters settled in Memphis, all that’s left
is the father waking in the same house to the same fog pawing
through the dog flap, the same sermon echoing
through the living room on the first Sunday in Ordinary Time—
(some town turned to ash). I’ve driven through some with names prettier than fact: Bluff Point and Asheboro, Poplar and Mayesville,
and wondered where the living went. Once, I parked
outside a consignment shop to stare at seven mannequins
standing half-crooked, their thin arms bent at the hip, no ribs
to betray their hunger. Truth is, it’s never a quick dissolution,
never an exodus of fifty families sputtering
toward better factory jobs, but a fading slow as a single
boll weevil blown in from the east, slow as a radio station
cutting through fields of sorghum. I breathed once the silence
outside the Ruritan Club in Conway, its building spackled
like a dog growing mange, and prayed three times
to the benevolent gods of the bulldozer. Like a father forgetting the color of his daughter’s eyes, I pressed my back
against the flaking wall and stared at the abandoned Texaco
across the street. No cars, no hands on the pumps, no mouths
spitting beside the oil stains, just me, weightless
in my jacket, thinking of all the people who wouldn’t be
crossing the road beneath the saltshaker moon, the dark sky descending like a headstone, and nobody asking
who the hell I was, where the hell I was going.
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Joshua Martin is a Ph.D. student in creative writing at Georgia State University. He has published or has work forthcoming in Asheville Poetry Review, The Carolina Quarterly, Crab Orchard Review, Salamander, The Raleigh Review, Nashville Review, The Cortland Review, Tupelo Quarterly, Tar River Poetry, Louisiana Literature, and elsewhere. He was a finalist in the 2019 Atticus Review Contest and won third place in the 2019 William Matthews Poetry Contest. He was recently awarded a fellowship to the Martha’s Vineyard Institute of Creative Writing.